My professors and I have maintained that healthy college distance. Even for an art school, where we're all touching and feeling each other all the time. I've forcibly hugged some of them out of an actual love of guidance resulting in an awkward clanging of two bodies magnetized by obligation and optimism respectively. This one particularly stoic character, a tense woman, hair seemingly pulled back even when it's not, has repeatedly seen through my thinly vailed bullshit. The way she chews her cheek and quantifies imagery has made me drag myself even slower than usual to sit before her to take that student role of gatekeeper -I must've blocked out so many more lessons from her. My willingness to listen is so arbitrary. A very exclusive club with many fat-fingered bouncers herding various voices around its perimeter, but letting few in (as of late). Stoic woman professor momentarily crossed the velvet ropes today, permeating my soul. Watching someone forget their own abrasiveness is truly remarkable.
She was responding to one of my long-winded answers to an art theory question regarding the mathematical quality of modernism. I rambled on about how these artists seemed to have almost sarcastically responded to society's illegitimizing of art because of its perceived purposelessness. It's unproductive, retarded quality. Why not make systematic paintings then? Rows and rows of tick marks? Modernist paintings looked factory fresh for a reason -to assault the notion that art was an unquantifiable menace. A time suck. Here, we've made it a tedious chore, now it's worth something, right?
Stoic woman professor seemed pleased by this answer, and she then unfolded her wings and her eyes became those of a small reptile -expectant, open, curious.
She said to me (to the class),
'You know, I came from a very conservative family. Going to art school, pursuing art... that was just... they couldn't understand it at all. And because of that, I became so filled with doubt. I had a teacher who once told me, "Art is your job. It's what you do. There is no question about that." That notion floored me. Her words were actually very similar to what Rainer and Krauss were describing about the idea of making these tangible art tasks. It is work. It is real.'
My eyes became slightly misty, which I immediately batted down as some hormonal side effect, some womanly problem; the voice of society clanging in my head. I had locked eyes with stoic professor and understood her whole being.
The chore of those few moments of engagement in any sort of intellectual stimulation rendered me useless for the rest of class. I sat making vast to-do lists and shifting around until it was time to head out.
Mike wandered over to sit by me, as he does in every class we have together. He looks at me with expectation and delight, which is not lost on me. I recognize that few people look at me that way now. We mill about. Occasionally I bellow eccentricities in a desperate attempt to coerce my classmates into nervous laughter.
We walk out, squinting.
I have never been this young before. For such an extended period.